Kei Ito
Kei Ito is an interdisciplinary artist whose work explores memory, history, and intergenerational inheritance through cameraless photography, performance, and installation. Born in Japan and based in the United States, Ito draws from his experience as a third-generation hibakusha—his grandfather survived the atomic bombing of Hiroshima—to examine how invisible forces such as radiation, trauma, and time persist across bodies and landscapes.
Working without a camera, Ito creates images through direct contact processes using light, heat, and chemical reactions. His works often take the form of large-scale installations that incorporate historical artifacts, archival research, and performative gestures, transforming photographic materials into ephemeral environments that function as contemporary monuments.
Ito’s work has been exhibited nationally and internationally in solo exhibitions at the Georgia Museum of Art, the Museum of Contemporary Art Arlington, Southeastern Center for Contemporary Art (SECCA), Gregory Allicar Museum, and many more. Notable group exhibitions include showing at Phillips Collection, Baltimore Museum of Art, apexart, Der Grief, Ethan Cohen KuBe, Kreeger Museum, SF Camerawork, Utah Museum of Contemporary Art, and the Eskenazi Museum of Art.
Ito earned his MFA from Maryland Institute College of Art’s photography program in which later he was appointed as an interim director in 2026. His practice has been featured in publications including The Washington Post Magazine, Hyperallergic, BBC Culture & Art, NHK, It’s Nice That, and ESSE Magazine. His work is held in collections such as the Museum of Contemporary Photography, Georgia Museum of Art, Norton Museum of Art, Eskenazi Museum of Art, and Royal Ontario Museum.
Afterimage Requiem, 2018-2019. Site-specific Installation: Unique c-print photograms (artist's body, sunlight, artist's breath), pebble, spot light, 4-ch audio composed by sound collaborator Andrew Paul Keiper. 39 ft. x 48 ft. x 22 ft. (108 of 30 x various heights in. prints) Installation view at SECCA (Southeastern Center for Contemporary Art) as part of the solo exhibition Archive Aflame.
Burning Away / Rust in Peace: Little Boy, 2024-2025. Silver gelatin chemigram (sunlight, honey, various oils), wooden frame / rusted metal. 100 in. x 42 in. x 1.5 in. Each (Wall) / 365 in. x 124 in. x 0.5 in. (Floor). Installation view at Georgia Museum of Art as part of the solo exhibition Staring at the Face of the Sun.
Reconstruction of Forgetting, 2025-ongoing. Site-specific Installation: Silver gelatin photogram (sunlight, various clothes, developer), wooden frame. 17 ft. x 8 ft. x 1.5 in. Installation view at Light Work as part of the artist in residency.
Sungazing Scroll, 2015 - ongoing (annual edition). Unique c-print photogram (sunlight, artist's breath). 12 in. x 150 ft. to 220 ft. depending on the annual edition. Installation view at Maryland Institute College of Art, later, Norton Museum of Art as part of the group exhibition Out of the Box.
Eye Who Witnessed (Sprague Electric - MASS MoCA, 2021. Site-specific Installation: Unique c-print photograms (historical archive, sunlight, artist's breath), wooden chair, construction light. 250 in. x 180in. x 10 in. Installation view at one of the unused buildings at MASS MoCA (formerly occupied by Sprague Electric).
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