Paul Stephen Benjamin: Black of Night

Paul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept, thought, and perception. From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance. In addition, across his practice, the artist’s work references integral moments in Black history as well as art history.

In Black of Night, Benjamin presents new and recent video installations, paintings, text-based work, and sculpture as conceptual entry points for dialogue around identity, race, and patriotism. By continually “documenting” the color black through his multifaceted practice, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society, culture and language, Benjamin incorporates history, text, imagery and sound from popular culture, in turn discussing the absence and presence of color.

Learn more about Paul Stephen Benjamin's work here

Interview with ARTFORUM

Black of Night in Bemis Center Summer 2024 Gallery Guide (English)

Black of Night in Bemis Center Summer 2024 Gallery Guide (Spanish)

About the Artist

Paul Stephen Benjamin was born in Chicago, IL, and lives and works in Atlanta, GA. He earned his BA from the University of Illinois at Urbana-Champaign and his MFA from Georgia State University in 2013. Recently Benjamin has exhibited at Hammonds House Museum, Atlanta, GA (2023), Blackness at the Montresso Art Foundation, Marrakesh, Morocco, (2023), The Thoma Foundation Art Vault, Santa Fe, NM (2022–2023), and a solo exhibition at the Van Every-Smith Galleries, Davidson College, Davidson, NC (2022).

He has been included in solo and group exhibitions at a variety of institutions and art spaces, including Prospect.5 New Orleans, LA (2021–2022). Gavlak, Los Angeles, CA (2021), The Dirty South at the Virginia Museum of Fine Art, Richmond VA (2021), David Lusk Gallery, Nashville, TN (2021), Crystal Bridges Museum and the Momentary, Bentonville, AR (2020), The MAC, Belfast, UK (2019), VC Institute for Contemporary Art, Richmond, VA (2019), The Havana Biennial in Matanzas, Cuba (2019), Marianne Boesky Gallery, NY, NY (2019), Tacoma Art Museum, Tacoma, WA (2018), Telfair Museum Jepson Center, Savannah, GA (2018), The Studio Museum in Harlem, New York, NY (2017), Museum of Contemporary Art of Georgia, Atlanta, GA (2017), High Museum of Art, Atlanta, GA (2016), among others.

He has received a range of awards and fellowships, including The Hudgens Prize (2019), Joan Mitchell Foundation Painters and Sculptors Grant (2019), Hambidge Distinguished Fellowship (2019), The Southern Art Prize (2018), The State Fellow of Georgia (2018), Museum of Contemporary Art of Georgia (WAP) Fellow (2017), Artadia Award (2014), Winnie B. Chandler Fellowship, and the Forward Arts Emerging Artists Award.