Charley Friedman: Soundtracks for the Present Future
Soundtracks for the Present Future is an immersive auditory installation that combines nearly 60 second-hand guitars, mandolins, and basses to create a singular instrument. Suspended from the ceiling in a constellation, the instruments form a labyrinth of sounds and vibrations that perpetually shifts as viewers navigate the work. Through computer software, the instruments “play” various compositions ranging from classical European music to new or recent compositions modified for this installation. By exploring the diverse styles, genres, and techniques of the medium, Friedman calls forth the imprint music can make. Music has the power to stimulate a spectrum of emotions and memories, which, in turn, can build human connection and empathy, and, at times, locate common ground. This work aims to both dissect and affirm one’s relationship to music as a catalyst and as an art form. Together, the instruments highlight the power and harmony of a collective voice, while never deafening the unique character of the lone guitar.
Charley Friedman: Soundtracks for the Present Future (installation view), 2021; Bemis Center for Contemporary Arts, Omaha, NE; Photo: Colin Conces.
Charley Friedman: Soundtracks for the Present Future (installation view), 2021; Bemis Center for Contemporary Arts, Omaha, NE; Photo: Colin Conces.
The installation loops through original pre-programmed compositions, creating an ever-changing soundscape with no concrete beginning or end. As the participant moves through the installation, certain notes take prominence based on their proximity to each instrument. This allows for a completely individualized and self-directed experience with the compositions, giving each individual the ability to affect the experience they have. No interaction is ever completely repeatable. Original compositions are by Greg Simon, Assistant Professor of Composition/Jazz Studies, the University of Nebraska-Lincoln Glenn Korff School of Music; Tom Larson, Associate Professor of Composition/Digital Arts/Jazz Studies, the University of Nebraska-Lincoln Glenn Korff School of Music; Nicholas Lemme, Composer; Jay Carlson, Composer; Dereck Higgins, Musician; and Jeremy Toussaint-Baptiste, Artist and Bemis Center Summer 2021 Sound Art + Experimental Music Artist-in-Residence.
Exhibition Acknowledgements
Luke Farritor, exhibition engineer
Jay Carlson, consulting engineer
Invaluable music insight by Benji Kushner and Harry Dingman
Charley Friedman is a Pollock-Krasner grant recipient, two-time Rema Hort nominee, and Smack Mellon "Hot Picks" artist. Friedman has exhibited and performed extensively at galleries and institutions internationally including MoMA PS1, The Queens Museum, Crystal Bridges Museum of American Art, OMI International Art Center, The Fabric Workshop, Volta NYC, Pulse Miami, Barbara Mathes Gallery, Paul W. Zuccaire Gallery at Stony Brook University, VOLTA NYC, Joslyn Art Museum, Sheldon Museum of American Art, Museum of Nebraska Art and Nina Johnson Gallery. Mr. Friedman’s work is in the collections of Walker Art Center, The Brooklyn Museum, The New York Public Library, Stanford University, Sheldon Museum of Art, Duncan Collection. Selected publications include The New York Times, Wall Street Journal, and Miami Herald. He received his Masters of Fine Arts from The School of the Museum of Fine Arts, Boston/Tufts University in 1996 and attended Skowhegan School of Painting and Sculpture in 1995 and received a BFA from Macalester College in St. Paul, MN. Residencies include Fountainhead, Norton Island Residency, Bemis Center for Contemporary Arts, MacDowell, and PV Arts. Charley lives and works in Lincoln, Nebraska, where he co-founded and co-curates Fiendish Plots. charleyfriedman.com
Charley Friedman: Soundtracks for the Present Future is generously supported, in part, by:
The original production of this work was supported by a Kickstarter campaign.
Performances are supported by:
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