Dorian Wood: Canto de Todes

VIEW PERFORMANCE HERE

Dorian Wood’s Canto de Todes (Song of Everyone) is a 12-hour composition and installation inspired by the lyrics of the late Chilean singer and songwriter Violeta Parra. The Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. A genre-defying canon of songs arriving as a long-durational spatial experience, the work is divided into three movements. The first and third movements are hour-long chamber pieces influenced by folk, popular, and experimental music. The second movement is a 10-hour pre-recorded piece unfolding throughout multiple spaces within Bemis Center.

SCHEDULE:

11 AM–12 PM
Movement I: Dorian Wood, Alexander Noice, and Sophia Potter

12–10 PM
Movement II: Dorian Wood: multi-channel vocal composition, video documentation featuring collaborations with Elena Powell, Carmina Escobar, Roco Córdova, Alberto Méndez Sena, Digliana Sena Adames,

Julián Fallas, Luis Díez, Milagros Matos, Ricardo Montilla, and Rossin Nova

2:45 PM Performance choreographed by Dieu-Thao Duong with Erin Brandt, Rachel Tobin, and Maria Reyes Vazquez

7:28 PM Performance by Kafele Williams

10 PM–11 PM
Movement III: Dorian Wood (voice), Carmina Escobar (voice),Roco Córdova (voice), and Sophia Potter (cello)

Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece. Collaborators include Carmina Escobar, Roco Córdova, and Alexander Noice on guitar.

Dorian Wood is a multidisciplinary artist based in Los Angeles. Her intent of “infecting” spaces and ideologies with her artistic practice is born from a desire to challenge traditions and systems that have contributed to the marginalization of people. Wood has performed at institutions that include The Broad, Los Angeles, CA (2018), Cooper Hewitt, Smithsonian Design Museum, New York, NY (2023), Museo Nacional Del Prado, Madrid, Spain (2019), the City Hall of Madrid, Spain (2015) and Teatro de la Ciudad Esperanza Iris, Mexico City, Mexico (2019), and at festivals that include Festivals Kometa, Riga, Latvia (2016), Moers Festival, Germany (2017), Cully Jazz Festival, Switzerland (2015) and Saint Ghetto Festival, Bern, Switzerland (2017). From 2019 to 2020, Wood completed several successful international tours with her chamber orchestra tribute to Chavela Vargas, XAVELA LUX AETERNA. In 2022, Wood debuted her tribute to the singer Lhasa De Sela, entitled LHASA, at the Festival Internacional de Arte Sacro in Madrid, in collaboration with singer Carmina Escobar and composer Adrián Cortés. As a visual artist, Wood has created illustrations and video installations that have been exhibited in galleries around the world. They have also directed several short films, among them “The angel” (2023), Low's "Disappearing" video (2021), “American Savagery” (2021), “FAF” (2021), “The World’s Gone Beautiful” (2020), “PAISA” (2019, co-directed with Graham Kolbeins), “O” (2014) and “La Cara Infinita” (2013). Wood is a recipient of the Creative Capital Award (2020) and the Art Matters Foundation grant (2020), and is also a MacDowell fellow (2022) and a Loghaven fellow (2022). Wood has released over a dozen recordings, most recently the album Invasiva (Dragon's Eye Recordings, 2022). In 2023, Wood debuted Canto de Todes at REDCAT in Los Angeles.